CALL 2019 Open until June 3: Information
Official
working languages: English, French, Italian, Spanish and Portuguese
It is a party that unites all those who
have affinities or some kind of affective ties with the ceramic, knowledge, training
and research responsibilities with the archeological, industrial, artisan,
artistic and all its sub-genres (artistic-archeological, artisanal-artistic,
industrial-archaeological, etc.).
For this reason it is the only social space capable
of:
1.-Uniting young students and professionals
of: arts, education, archaeologists, anthropologists, ceramists, sculptors-potters,
designers graphic and industrial designers, plastic and visual artists,
heritage managers, museologists and researchers of the social sciences, art
historians and teachers of all nationalities.
2.-Promoting the creation of social spaces
of enjoyment and exchange of experiences around the ceramic culture (history,
processes, characters, objects, places, etc.), specially designed for
children-young-adults.
3.-Helping to produce knowledge and make
visible research experiences capable of contributing to the qualification and improvement
of training processes for young people at the technical, higher and
postgraduate levels.
This is possible because of the conceptual
structure of the festival which is composed of eleven (11) groups
of activities, each of them represented in its eleven rays logo-sun.
It’s a gathering of two or three days in which researchers, ceramics
teachers and students at the technical and master levels meet to get to know each
other and to socialize their experiences of professional training, routes of
pedagogical, methodological and didactic exploration, systematization of
educational practices, educational texts
(manuals, book-albums, etc.), journalistic articles, biographies, case studies,
original results of research processes and reflections on children, young
people and adults training. Its main objective is to detect and disseminate
texts of high level of elaboration.
Ninety minute informative educational conferences especially
designed so that during their first twenty minutes the lecturer socializes and
gives information about techniques, processes or history of ceramics. And the
remaining time is dedicated to answering questions of those who heard him.
Pedagogical activities with a minimum of three hours in a row and a maximum of
nine hours divided into three sessions, through which people are guided to know
and develop their own methods, concepts, techniques, materials and processes,
both on making ceramics, as well as on the educational aspect with children,
young people and adults.
FICC-2018 will have two spaces for dialogue that will last three hours and in
which university and cultural institutions will meet young people and
professionals interested in creating agreements, know curricula, projects,
exchange systems, scholarships, etc.
They are spaces in which both ceramist peoples, as well as
creators and representative works with historical and patrimonial value of the
ceramic culture are made known in a context that allows us to make them public.
At FICC-2018, it is a matter of registrations for the wide circulation of
exhibitions that will be carried out by educational or cultural institutions between
September 2018 and August 2020, in any city or country, and they will be
permanently promoted through FICC promoting strategies and through museographic
proposals (temporary or permanent) that can be chosen to be done with
donor-sponsor-FICC support.
As of 2018, it will be an experience offered by certain places where special Colombian coffees are offered and there will be cups made by artists and artisans, both Colombian and foreign.
Events that will last three hours
through which people with a trajectory of more than fifteen years working with
ceramics and their educational or investigative processes, tell us about how
they perform or carried out their works. Sometimes they allow us to participate
in some of their daily activities: analysis in archaeological laboratories,
handling or opening of a furnace, enameling of pieces, preparation of clays,
modeling of pieces, drawing of plans, guiding in museums, etc. In such a way
that they contribute as experiential elements for the diffusion and knowledge
of their work.
A strategy to promote the range of installations,
interventions, collaborative proposals, happenings, performances and other
creations that can be produced when the ceramic culture (people, objects,
processes, materials, etc.) is the axe of research, creation and reflection.
An area of promotion-enjoyment of audiovisual creations, videos,
films and animations (cartoon, stop motion, etc.) around topics of the ceramic
culture. These are elaborated by the ceramists themselves, as well as by professionals
in graphic design, audiovisual production, cinema, social communication, visual
and plastic arts and related fields.
In the 2018 version it will be an
international directory of workshops for cultural and educational institutions
of archeological, artistic, craft and industrial ceramics that have the
conditions to welcome people of all nationalities interested in exchanging and
supporting this research.
In the version 2018 it will be an
international catalog of promotion of all the places in which it is possible to
buy pottery of great quality.
How was FICC born?
It is one of the results of the research
that its coordinator has been doing since 2006 around the concepts created by
the German artist Joseph Beuys (Social plastic, social sculpture and social art),
from and for the ceramic culture.
For this reason, it makes use of all the
potential of social creation that the ceramic culture has; it motivates the
construction of desired futures, constitutes effective ways of education,
strengthens markets, seeks to make contributions to the mental and spiritual
progress of mankind and tends to cultivate the relations among all human
beings.
The objective is to be able to guarantee
the society the conscious, creative and permanent use of the historical,
patrimonial, technical, technological, aesthetic, educational and economic
wealth possessed by the ceramic culture and its possibilities in the recovery
of identity, promotion of new knowledge and cultivation of individual and
collective sensitivity.
FICC articulates the best practices in the
management of ceramics such as Les Journées de
la cerámique, Café-Cerámique, Route Ateliers-Ouvert,
ExhibitionTERRE- 1982, National Meeting of Argentinian Ceramists, Ceramic
Festival of Cunha- Brazil and International Seminar A CERÂMICA NA ARTE-EDUCAÇÃO, among others.
Flyer 2016
OFFICIAL
AGENDA-FICC-2018
- LAUNCH CALL: August 4 2017
- OPENING RECEPTION OF PROPOSALS-REGISTRATIONS: August 11 2017
2018
- CLOSING OF THE RECEPTION OF PROPOSALS: April-15
- CLOSING OF THE RECEPTION OF
REGISTRATIONS WORKTABLE, POINTS OF SALE, OPEN WORSHOPS AND EXHIBITION
DIFFUSION: July-5
- OFFICIAL COMMUNICATION OF ACCEPTANCE OR REJECTION OF
PROPOSALS: April-23.
- PUBLICATION FINAL PROGRAMMING: August-11.
- ACADEMIC EVENT, DAYS OF EXECUTION: September-17 and-18.
DONATIONS TO
FICC / 2018
Natural or legal people interested in supporting the execution
of this project through donations, can make deposits in:
The savings account number 666-243940-63 Bank: Bancolombia (Code-SWIFT: COLOMBM). Beneficiary or responsible person: Mayra Lucía Carrillo, Bogotá- Colombia (Phone: + 573152616519).
In case you desire to give it a specific destination, write to the email culturaceramicafestival@gmail.com sending the deposit receipt and informing the desired destination.
The savings account number 666-243940-63 Bank: Bancolombia (Code-SWIFT: COLOMBM). Beneficiary or responsible person: Mayra Lucía Carrillo, Bogotá- Colombia (Phone: + 573152616519).
In case you desire to give it a specific destination, write to the email culturaceramicafestival@gmail.com sending the deposit receipt and informing the desired destination.
© - It is totally prohibited to carry out
works derived from this text without the prior explicit permission of its
author: mayraluciacarrillocolmenares@gmail.com
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